Reflecting the dynamic creativity of its topic, this definitive consultant spans the evolution, aesthetics, and perform of today's electronic artwork, combining clean, rising views with the nuanced insights of prime theorists.
• Showcases the serious and theoretical ways during this fast-moving self-discipline
• Explores the background and evolution of electronic paintings; its aesthetics and politics; in addition to its frequently turbulent relationships with proven associations
• offers a platform for the main influential voices shaping the present discourse surrounding electronic paintings, combining clean, rising views with the nuanced insights of prime theorists
• Tackles electronic art's basic sensible demanding situations - how you can current, record, and guard items that may be erased endlessly through speedily accelerating technological obsolescence
Up-to-date, forward-looking, and significantly reflective, this authoritative new assortment is expert all through via a deep appreciation of the technical intricacies of electronic artwork
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Extra resources for A Companion to Digital Art (Blackwell Companions to Art History, Volume 9)
The essay examines these developments across a wide geographical range, from Eastern and Central Europe to the United States, Brazil, and India, providing an account of the ways in which digital activist/art practices created shockwaves in the new world order of information and communication. Konrad Becker’s essay builds on and complements Medosch’s narrative by exploring how digital art practice can function as critical intelligence, doing more than simply propagating technical progress and addressing the challenges of a networked digital universe.
Fazi and Fuller focus on the essential characteristic that both precedes and grounds the digital: computation as a method and force of organization, quantification, and rationali zation of reality. Showing how digital art is inherently interwoven with features of digital structures, Fazi and Fuller examine ten aspects of computational aesthetics, among them abstraction and concreteness, discreteness, axiomatics, speed, and scale. As they make clear, computation is not simply a technical strategy of automation and distribution, but has its social and cultural manifestations.
Over the past fifteen years numerous initiatives, institutions, and consortia have been hard at work to establish best practices for the preservation of digital art. While it is beyond the scope of this book to give an in‐depth survey of this work, a couple of the texts in the final section of this volume specifically engage with the preservation of digital art. Ben Fino‐Radin’s chapter on tools, methods, and strategies of digital conservation gives an introduction to the nuts and bolts of this emerging field of practice.
A Companion to Digital Art (Blackwell Companions to Art History, Volume 9)