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Additional resources for 2DArtist Issue 58 October 2010 issue 58

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08). 09). In this picture I also try to show the physical stature of Lex. I want to show that he is very strong and muscular, even though he has the body of a man in his mid 40’s. 10 – 11). The idea being that we will most probably never see Lex completely naked. While this is the case, it’s still important to show what he would look like underneath his clothing to help the modelers, art director or game designers to understand your thought process and how and why the character looks like he does.

But whether I’m using markers or graphite on paper or working digitally with Photoshop, one thing remains constant; I always do rough thumbnails to start off. It’s important to keep things loose and gestural in the initial sketches. 01). Sometimes I’ll just “ink out” black solid shapes, while other times I’ll use a very light gray as an “under layer” and ink out the linear details. On another occasion I might start off smudgy and just roughly fill in the areas of the silhouette until I feel that I’ve nailed a decent initial design.

There is no lush foliage or vast bodies of water. Instead there are pits of oil and sludge. The terrain has large, jagged rock formations The setting is Earth and the prison planet, Asturia. 90% of the game is jutting out sporadically throughout the landscape. The sky is constantly on Asturia. filled with flashes of green lightning, which brings on poisonous rain storms. Plot summary: Lex Crane, a former police officer, is now the chief of There is a giant prison facility that has been placed on the planet to house security at Skye Global, the largest manufacturer of pharmaceuticals the galaxy’s most violent and evil criminal element.

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2DArtist Issue 58 October 2010 issue 58 by 3DTotal.com


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